Tuesday 11 October 2011

Brazil Type Research






Pixação, known also as "wall writings," began in the 1940s and 50s as political statements written in tar and “were often written in response to the slogans painted by political parties across the streets.” [2]. “Piche” is the Portuguese word for tar, so Pixação refers to writings made in it. In the 1970s, Pixação almost disappeared, however it was revived in the 1980s by a group of kids who began writing their names, and the names of their crews, The letters are usually of equal height and spacing, although technique varies in different cities around Brazil.Although the lettering originally reflected the typography of eighties heavy metal record covers, the styles have evolved over time

Os Gêmeos (Portuguese for The Twins) are graffiti artist identical twin brothers (born 1974) from São Paulo, Brazil, whose real names are Otavio and Gustavo Pandolfo. They started painting graffiti in 1987 and gradually became a main influence in the local scene, helping to define Brazil's own style. Their work often features yellow-skinned characters - taken from the yellow tinge both of the twins have in their dreams - but is otherwise diverse and ranges from tags to complicated murals. Subjects range from family portraits to commentary on São Paulo's social and political circumstances, as well as Brazilian folklore. Their graffiti style was influenced by both traditional hip hop style and the Brazilianpixação movement.[1]





























Os Gêmeos (Portuguese for The Twins) are graffiti artist identical twin brothers (born 1974) from São Paulo, Brazil, whose real names are Otavio and Gustavo Pandolfo. They started painting graffiti in 1987 and gradually became a main influence in the local scene, helping to define Brazil's own style. Their work often features yellow-skinned characters - taken from the yellow tinge both of the twins have in their dreams - but is otherwise diverse and ranges from tags to complicated murals. Subjects range from family portraits to commentary on São Paulo's social and political circumstances, as well as Brazilian folklore. Their graffiti style was influenced by both traditional hip hop style and the Brazilianpixação movement.[1]

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